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Showing posts with label manga. Show all posts
Showing posts with label manga. Show all posts

Wednesday, December 15, 2010

Warren Bernard on the International Manga Museum in Kyoto



One of the nice things about going overseas is seeing how much more other countries respect comics than we do in the United States. Though indeed we invented many elements of the medium, we still are far behind our international counterparts in giving comics and cartooning their due in a museum environment.



I was in Kyoto, and decided to take a half day off from seeing amazing Japanese gardens and Zen Buddhist temples to go through the International Manga Museum that was conveniently a six-block walk form my hotel. A true happy accident of planning.



The museum is housed in the Tatsuike Primary School that was built in the late 1860s, when downtown Kyoto began to see a population explosion that required a number of schools be built to handle all the new students. Like America's classic central-city population migration to the suburbs, by the 1990's the school, along with many others, was closed. After having the property lie dormant and vacant, a partnership between the City of Kyoto and the Kyoto Seika University had the school renovated and made into a museum. They have kept two rooms as a museum to the school itself. One had portraits of all the principals that ran the school from inception -- a hard looking bunch if there ever was one.



This museum is in many ways very different from the Tintin Museum in Brussels or the Cartoon Museum in London. One of the main draws of the IMM is the availability of a library of over 50,000 volumes of manga that one can read there, although not take home as in a traditional library. I saw many people there who paid the admission of 500 yen (about $6.25) just to come and read. They were camped out, reading away, in the hallways of the old school or on the main floor at large picnic tables near the main entrance.


The Museum had a very small section of translated material from France, Germany and the United States, which you could also sit and read. But my Japanese is not that good (OK, it's non-existent...) and I already owned all the translated American material so I went to look around.







The manga volumes were stacked in floor to ceiling book cases, some of these reaching over 12 feet high. Computer kiosks were throughout the museum to help you locate a specific book in the densely-packed shelves. The manga were mainly grouped by styles, but in one section that appeared to be in the old gymnasium, they were grouped by decade.





Also in this old gymnasium was the main series of displays that showed the evolution of manga. It is a nice showcase as to the tools and techniques used by the manga artists. I had no idea that Japanese versions of Puck, the American political humor magazine from the 19th-early 20th century, had copycat versions in Tokyo, Yokahama and Osaka. That being said, this museum's view of history was about the development of manga, especially the explosion of it after World War Two. No Little Nemo, Superman or Marvel Superheroes are in this place.



There were three other exhibition areas, of one which had a great exhibit about French cartoonists doing stories about The Louvre. This was apparently the first exhibit they have hosted at the IMM from France and was looked at as introducing French "bande dessinee" to Japanese manga fans. These main exhibition areas were all in both English and Japanese, as were all exhibits I saw there.



But the best part of the trip there? I got the last Astro Boy mug they had in stock.

The next time you're in Kyoto, stop into the International Manga Museum and take a look around. You'll think, just as you wonder about the Japanese shinkensen (bullet train) and their mass transportation system in general, "hey, why don't we have one of these?"

Tuesday, August 17, 2010

Wednesday, July 28, 2010

Otakon 2010 in Baltimore this weekend

Their website has all the information. Including a pretty complex schedule.

And here's how they describe it:

About Otakon

Otakon is the convention of the otaku generation: by fans, for fans; and we're back for our 17th year in 2010!

Join thousands of your fellow fans as we descend on Baltimore to celebrate all anime, manga, and all facets of Asian pop culture!

Ever since 1999, we've taken over a sizable chunk of Baltimore's Inner Harbor for a 3-day festival celebrating the pop culture that's brought us everything from Astroboy to Yu-Gi-Oh, from the Seven Samurai to Spirited Away.

Wednesday, March 31, 2010

Washington Post's TR Reid on manga

I just finished reading Confucius Lives Next Door: What Living in the East Teaches Us About Living in the West by T. R. Reid (Random House, 2009), and while I love Reid when he is writing for the Post, I've got a few issues with his conclusions in this book. Or maybe even his starting premises.

But that's not the subject of this blog. Reid has 2 paragraphs on his favorite manga, coming after a discussion of Japan's view of America as crime-ridden:

While in Japan, I became a huge fan of mahnga, the ubiquitous comic-book magazines that sell tens of millions of copies every week. It seems to be conventional wisdom in the United States that Japan's "adult comic books" are routinely "adult" in the sense of being filthy, but this is not accurate. There are some filthy mahnga - so bad that stores won't carry them, and you have to buy them at vending machines. But the vast majority of Japanese comics are family fare. Some are funny, and some are serious novels - serial novels, really, like the one-chapter-per-month novels that Dickens and Thackeray used to write for Victorian magazines. I was particularly taken with the enormously popular weekly comic Section Chief Shima, about a junior executive named Shima Kosaku, who works for a giant electronics firm and fights a never-ending battle for truth, profits and the Japanese way.

In one extended episode, Section Chief Shima is dispatched to America to oversee his company's acquisition of a giant Hollywood movie studio (just like the acquisitions Sony and Matsushita had made in real life). One thing that deeply concerns the young executive is the possibility of a U.S. backlash if an Asian company buys a famous American firm (just like the reaction to the Sony and Matsushita purchases in real life). But an American-based executive tells Shima he need not worry: "The government won't be a problem, because we've already put a half-dozen ex-congressmen on the payroll, and they are lobbying for us." This exchange didn't bother me excessively, because it's probably what big companies actually do when they plan an acquisition. But it was disturbing to see what happened to Section Chief Shima personally during his stay in Los Angeles. When he sets out to see the beach, his rented Ford breaks down. When he tries to negotiate his business deal, an employee of the U.S. branch of his company sells corporate secrets to a competitor. When he walks outside his hotel, he's mugged on the sidewalk. Just your typical American business trip.

Our family grew increasingly angry at this depiction of a dirty, dangerous, dishonest America, partly because we found it hard to avoid, anywhere in Asia.
(p. 208-209)

So 11 years later, I have no idea if this remains a common occurrence in manga, or views of Japanese, or even if Shima was ever translated. Reid is a good writer and a keen observer though, so I'm sorry the Post lost him as a foreign correspondent. He heads their Rocky Mountain Bureau now.

Thursday, February 4, 2010

Gazette on Katsucon

Katsucon sets sail for National Harbor
Japanese culture, anime and manga convention moves to Oxon Hill for its 16th celebration
by Joshua Garner
Gazette February 4 2010

Tuesday, February 2, 2010

Feb 12-14: Katsucon anime and manga festival

16th year at the Gaylord in National Harbor, MD. $50 registration at the door. See http://www.katsucon.org for more information.



Updated - Eden in the comments says "Saturday only is $35, which is reasonable. Sunday is also only $20"

Thursday, November 26, 2009

U of Maryland prof on atomic bomb manga

See "Writing Hiroshima and Nagasaki in the 21st Century: A New Generation of Historical Manga," by Michele Mason, Asia Pacific Journal: Japan Focus (November 23 2009).

I haven't read the article yet, but anyone who hasn't read Barefoot Gen,the older manga that is not the subject of the article, should make the attempt now. There's a new 8-volume set out in English now.

Wednesday, November 11, 2009

Onion interviews Schodt on Tezuka

For the forthcoming set of programs, the Onion talked to Schodt the premier Anglo-speaking manga expert on Tezuka, the 'Walt Disney' of Japan. See The "God of Manga," humanized: Osamu Tezuka scholar Frederik Schodt explains the anime pioneer, by Chelsea Bauch, Onion AV Club November 11, 2009.

Sunday, May 10, 2009

May 12: Yuko Ota,, A Japanese comic illustrator at Library of Congress

Asian Pacific American History Month at the Library of Congress has a cartoonist appearing -

PROGRAM II: Japanese Illustrators Then and Now

Date/Time: Tuesday, May 12, 12:00 noon
Location: Dining Room C
"Then" Speaker - James Miho, A Bauhaus Illustrator (a "lost art" of Japanese illustration)
"Now" Speaker - Yuko Ota,, A Japanese comic illustrator

2009 Webportal Link: http://www.asianpacificheritage.gov/index.html

- thanks to Sara Duke for the tip.

Tuesday, April 28, 2009

Glen Weldon on A Drifting Life manga and Shuster porn

See "Books We Like: Memoir Of A Manga Master," by Glen Weldon, NPR.org, April 24, 2009 on A Drifting Life By Yoshihiro Tatsumi; translated by Adrian Tomine.

For Shuster porn info read, "Faster Than a Speeding Bullwhip: Superman Creator's Kinktastic Art," by Glen Weldon, National Public Radio's Monkey See blog (April 15 2009).

And for Craig Yoe's own take, you can listen to him on Fresh Air - "The Sexy 'Secret Identity' Of Superman's Creator," National Public Radio's Fresh Air from WHYY, April 23, 2009.