...the Washington Examiner!
From April 18, 2010's "10 Lowlights of the Week" column:
#4 Puerile Pulitzer
Political cartoonist award goes to 'Tea Bag' jokester
The details: According to the Pulitzer committee, Mark Fiore "Set a high standard for an emerging form of commentary" with his animated cartoons on the Internet. Fiore is best known for a cartoon, "Learn to Speak Tea Bag" which has tea party protesters running around screaming "Nazi! - Socialist! Baby killer!" High standards, indeed.
On the next page, Nate Beeler picked his pro-Tea Party cartoon as his favorite of the week - can't agree with that call either, Nate.
Showing posts with label Washington Examiner. Show all posts
Showing posts with label Washington Examiner. Show all posts
Sunday, April 18, 2010
Monday, February 8, 2010
Editorial cartoon change at the Examiner
Perusing today's Examiner online, we find that their editorial cartoon today is from Mike Ramirez and Creators Sydicate. I'm not sure if Cagletoons will still be providing cartoons to them as well. Their editorial cartoonist Nate Beeler is syndicated through Cagle.
Sunday, December 27, 2009
Nate Beeler's The Year in Cartoons in Examiner
Today's Washington Examiner has Nate Beeler's The Year in Cartoons feature. I haven't looked at it yet, but I'll be stealing copies off the sidewalk for libraries at Michigan State and Ohio State. Nate's one of the best young editorial cartoonists working now, as well as being a friend of mine. And bravo to the Examiner for both doing this and putting it on the cover.
Sunday, December 6, 2009
Joe Sacco reviewed in Washington Examiner
Joe Sacco's new book is reviewed in Washington Examiner, December 6, 2009, p. 26, but it doesn't appear to be online. Pull quotes:
"Having already established his reputations as the world's leading comics journalist, Sacco is now making a serious case to be considered one of the world's top journalists, period."
"Sacco's art is alternately epic and intimate, but he exceeds himself in the scope of his ambition (particularly in one sequence that shows in vivid terms how desert refugee camps from 1948 turned into the teeming slums of today). But it's his exacting and harrowing interviews that make this book an invaluable and wrenching piece of journalism."
The review is unsigned.
"Having already established his reputations as the world's leading comics journalist, Sacco is now making a serious case to be considered one of the world's top journalists, period."
"Sacco's art is alternately epic and intimate, but he exceeds himself in the scope of his ambition (particularly in one sequence that shows in vivid terms how desert refugee camps from 1948 turned into the teeming slums of today). But it's his exacting and harrowing interviews that make this book an invaluable and wrenching piece of journalism."
The review is unsigned.
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